Friday, October 7, 2016

Review: SANGRE: THE COLOR OF DYING by Carlos Colón

Nicky Negron is dead, or more accurately put, undead. And since he must take the lives of humans to feed on their blood and survive, he is very selective of who he thinks society can do without. Bronx-born Nicky was raised in a middle class Puerto Rican family until tragedy tore them apart. Years later, Nicky would put himself through school where he would meet his future wife Stefanie. With a happy marriage, two healthy children and a successful career as an insurance agent, Nicky seems to have it all, until in ends in a blood-spattered room at the New York City Ritz-Carlton. Since he was last seen going in there with a mysterious red-haired woman, the case is sensationalized by the press as a sex scandal, leaving deep wounds of humiliation with his family and tainting the memories of their lives together. Nicky is a man who has lost it all, twice. Such a fate could make a man bitter. But even with all that has happened, Nicky resists taking the lives of innocents. Having lost his own life, Nicky appreciates its rewards and prefers feeding on those that lower the quality of life around him. So if you are a sex predator, a domestic abuser, a child murderer or a drug dealer you may want to stay out of Nicky Negron’s territory. He doesn’t feed much, which means he is always hungry.




Reviewed by: Sandra
Rating: 5 stars

Review: Nicky Negrón is dead. Well, really, he’s undead. He’s a vampire.

A rogue vigilante, he feeds on the scumbags of society—prostitutes, rapists, murderers. You might call him a hero or possibly a grim reaper, but, in actuality, he’s just a conscientious vampire. He can’t fathom to feed on the innocent, yet he prefers to drink blood that is free of drugs and disease, because that would make him sick.

“My projection to those around me is the handsome Nicky (if I may say so myself) that died twenty seven years ago. To me that face is a memory from photographs. On the occasions when my projection is not present, like when I’m feeding or when my emotions take over, the only version I get to see of myself is that of my death face—the face that belongs six feet under.” (23)

This is the story of a vampire cursed to live out his immortal days with the memories of his past life and a heart for the innocent souls. Flashbacks of his childhood and family interject as he prowls the night in a wandering blood lust.  On the outside, he’s a fiendish monster; but the inside shows a sensitive and vulnerable creature. You can’t help but feel for him as he hovers near the presence of the family he left behind.

The book is a delectation of raw and powerful words that bring the story to life. The story line, as well as its soulful imagery and beauty, is reminiscent of Anne Rice’s Interview with the Vampire, which follows  a vampire named Louis as he relays his 200-year-long life story to a reporter. In Sangre, Nicky Negrón tells his story. He recounts his birth into vampirism and correlates it with the color red, which is the last thing he saw. Typically, red is “a color that humans connect with love—red roses, red cherries, strawberries, lipstick, hearts…it’s the primary color of Valentine’s Day, the color of love.” (90) But at the time of his transformation, when everything he loved was being taken away, he indicates it as the “color of dying.” Not only is this book poetic and insightful, but the author kicks it up a notch by adding his own Spanish flair with cultura and barrio phrases, settling the reader into a prideful comfort as if you were sitting at the kitchen table surrounded by tamales and familia.


Colón is a talented and witty writer that has reinvented the dark genre with candid prose and lucid expression. His knowledge and compelling fascination with vampires enabled him to craft a well-written story that you can sink your teeth into.  A remarkable tale!

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